JAZZ
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1. Which city became the first great center of jazz?
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Check My Assignment!A. Chicago
B. New Orleans
C. Kansas City
D. New York
2. What was the name of the “red light” district in New Orleans which was closed by the U.S. Navy in 1917?
A. Congo Square
B. Storyville
C. Creole Town
D. Louis Armstrong Park
3. Which instrument was the “lead” instrument in early New Orleans jazz band, typically playing the melody line?
A. Cornet (Trumpet)
B. Saxophone
C. Trombone
D. Clarinet
4. The time signature used most often in early New Orleans jazz pieces was _________.
A. ¾
B. 2/4
C. 4/4
D. ¼
5. The two major cities which became leaders in swing jazz were ________________.
A. Kansas City and St. Louis
B. Kansas City and New York
C. New York and New Orleans
D. Chicago and New York
6. The center of jazz came to be ________________ in the 1920s.
A. New York
B. New Orleans
C. Chicago
D. St. Louis
7. ______________________ is a style of music with written arrangements with an occasional improvised solo. This style was played by large dance bands in the 1930s and early 1940s, becoming the most popular style of jazz in history.
A. Early New Orleans style
B. Chicago Style
C. Dixieland
D. Swing
8. Which of the following is not a characteristic of Chicago style jazz:
A. Saxophone became a standard part of the ensemble
B. a relaxed playing style
C. the use of guitar (which replaced the banjo)
D. the string bass replaced the tuba, which had been used in earlier New Orleans ensembles
9. The Chicago style of jazz emphasized collective improvisation while the emphasis in New Orleans jazz was on solo improvisation.
A. True
B. False
10. The Kansas City style of swing contained less complicated arrangements and a freer approach to solo improvisation than the New York style of swing.
A. True
B. False
11. Duke Ellington _________
12. Count Basie _________
13. Earl Hines __________
14. Billy Strayhorn ________
15. Fletcher Henderson _________
A. Was a prominent musician in the Chicago Style of jazz. He worked with Louis Armstrong and developed a style of piano playing known as “trumpet style”.
B. A pianist/composer/arranger who met Duke Ellington in the late 1920s and eventually became his most important collaborative partner, composing the song which became the “signature song” of the Ellington Orchestra.
C. A trained pianist and composer who raised orchestrated jazz to a new level of excellence. He challenged his audiences by freely incorporating a number of classical elements into his jazz compositions.
D. A jazz pianist from New Jersey who played with Bennie Moten’s band in Kansas City. He eventually became the leader of the most prominent swing band in Kansas City.
E. The pianist and band leader who was responsible for having created the pattern for swing jazz band arrangements.
16. Benny Goodman _____
17. Sidney Bechet _____
18. Louis Armstrong ______


